![]() But if it’s too plain, it is difficult to notice the changed perspective. If a subject is too complicated or detailed, it isn’t believable as a model. The subject matter is just as important as the angle and lighting in tilt-shift photography. These pictures from Kris Kros Photography take advantage of excellent lighting conditions to make delightful images of “tiny” scenes. The lighting has to be bright and full in order to turn out a convincing finished photo because those are the lighting conditions one would expect to find with a photograph of a true miniature. One of the most difficult aspects of tilt-shift photography is finding the right conditions. These photos from Japan depict what looks like a perfectly miniaturized city, complete with tiny people and beautifully detailed trees. The blurring at the edges of the photograph simulates the effect of a macro lens on a much smaller field. Marcus SpeddingĪerial views of cities are well-suited to tilt-shift photography. Ronaldo Fonseca uses the traditional method to create tilt-shift images with no digital manipulation. Today, most photographers simply take a digital photograph and apply the tilt-shift distortions via software. The term “tilt-shift photography” refers to the method of tilting the camera lens to distort the plane of focus and shifting the lens to distort the perspective. But if you look closer, you’ll see that this isn’t play time – these are real-life scenes made to look like tiny models through the magic of tilt-shift photography. To the casual observer, the subjects of these photographs look like incredibly detailed miniatures. It doesn’t take much to fool the human mind into thinking it’s seeing something other than reality.
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